YBM (신)
독해와 작문 4과 기출모음 (제1탄)
1. 다음 글의 밑줄 친 부분 중, 어법상 틀린 것은?1) [독작시사4]
One day, Bartoli marched in, demanding of l'Abbaye to see his portrait, "You must be finished by now. Today I will see it!" he shouted, shaking with frustration. Stepping from behind the curtain, as though ①surprised by such anger, l'Abbaye said calmly. "Of course, you needed only to ask."
With that he pulled aside the curtain. Guiliano Bartoli stood for a minute in silence and then his mouth fell open, his eyes turned red, and he grabbed for ②what little hair he had left on his head. His eyebrows ③became distorted. He obviously did not like his portrait, not one bit. Then he exploded. What had l'Abbaye painted? It was his masterpiece. He was not sorry, no, not at all, that he ④had painted to his heart's content on the twenty-foot wall. Perhaps his client could not understand his obsession for Cubist expression, but Picasso would have been proud. If truth be told, for sure, Monsieur Signy l'Abbaye was not crazy. He ⑤had simply born 500 years too early.
2. 다음 밑줄 친 부분 중, 어법상 틀린 것은? 2) [4과]
A week passed. "How is it coming?" asked the hopeful Bartoli. Answering him from behind the curtain, l'Abbaye said, "It's coming quite well. You know, at the age of eight I ① was apprenticed to the great Ambrogio Lorenzetti. I could never dishonor his name. He taught me how to draw and, most importantly, ② not to hurry. My training was strict and, after certification, even more thorough. Senior Bartoli, a masterpiece takes time." Bartoli withdrew, reluctantly. A month passed.
"How is it coming?" Bartoli asked. "It's coming along fine," said l'Abbaye, again from behind the curtain. Along with his words came the strange sounds of swooshing, clashing, and slapping. "You know, you're fortunate, ③ it's I painting your portrait. Only true fresco will do. I am using four coats of plaster. It will last forever, but it is time consuming." ④ Sighing deeply, the client withdrew again. Just how long would this take? Who knew? Another three, then four months passed and finally half a year went by. One day, Bartoli marched in, ⑤ demanding l'Abbaye to see his portrait, "You must be finished by now. Today I will see it!" he shouted, shaking with frustration.
3. 밑줄 친 부분이 가리키는 대상이 나머지 넷과 다른 것은? 3) [4과]
Monsieur Signy l'Abbaye was a master artist in his day and in 1392 was ready to retire. Then, Guiliano Bartoli, a rich Italian client, sent for ① him, saying, "I'd like you to paint my portrait for a wall in my banquet hall. Could you do it? The space is twenty feet tall." Pondering this request,
② he shook his head. "No, I'm about to retire, so I'm not available. I'm sorry. I simply cannot paint your portrait." Seeing the disappointment in his eyes, ③ he thought and then continued, "Ah, but there is one possibility, if you allow me to explore the limits of my abilities. You do not have to pay me. Just provide me room and board and that will be fine. Furthermore, you need not pose. I have an excellent memory. I have your other portrait and I can draw a new one based on it. But I insist, Senior Bartoli, while I work, your portrait stay private, even from you!" 'This is strange,' thought the client, but he thought how highly ④ he had been recommended. "Of course,"
⑤ he said. "Anything you wish, but I insist upon paying you at least something for your work.
Let's write a contract."
4. 밑줄 친 문장과 같은 뜻이 되도록 <보기>에 주어진 단어들을 재배열하시오. 4)[4과]
Stepping from behind the curtain, as though surprised by such anger, l'Abbaye said calmly. "Of course, you needed only to ask." With that he pulled aside the curtain. Guiliano Bartoli stood for a minute in silence and then his mouth fell open, his eyes turned red, and he grabbed for what little hair he had left on his head. His eyebrows became distorted. He obviously did not like his portrait, not one bit. Then he exploded. "How absurd, how ugly! What does this mean? You will not receive one florin, do you hear? You're not an artist, maybe a thief or a crazy man, but not an artist. Get out of my sight! You'll leave my house immediately or I'll throw you out!" What had l'Abbaye painted? It was his masterpiece. He was not sorry, no, not at all, that he had painted to his heart's content on the twenty-foot wall. Perhaps his client could not understand his obsession for Cubist expression, but Picasso would have been proud. If truth be told, for sure, Monsieur Signy l'Abbaye was not crazy. He had simply been born 500 years too early.
<보기> ask, had to, do, all, is, you
5. 다음 밑줄 친 부분 중, 어법상 옳지 않은 것 3개를 고른 것은?(4과)5)
Monsieur Signy l'Abbaye said "I insist, Senior Bartoli, while I work, ⒜your portrait stays private, even from you!" 'This is strange,' thought the client, but he thought ⒝how highly had the artist been recommended. "Of course," he said. "Anything you wish, but I insist upon paying you at least something for your work. Let's write a contract."
Starting his work, the master artist ⒞threw up a high curtain in front of the wall, ⒟a curtain which Bartoli could not see. Bartoli tried to peek, but l'Abbaye insisted on total privacy for his artistic expression. A week passed. "How is it coming?" asked the hopeful Bartoli. Answering him from behind the curtain, l'Abbaye said, "It's coming quite well. Senior Bartoli, a masterpiece takes time."
A month passed. "How is it coming?" Bartoli asked.
"It's coming along fine," said l'Abbaye, again from behind the curtain. Along with his words came the strange sounds of swooshing, clashing, and slapping. "You know, you're fortunate, ⒠it's I that am painting your portrait. Only true fresco will do. I am using four coats of plaster. It will last forever, but it is time consuming."
Another three, then four months passed and finally half a year went by. One day, Bartoli demanded of l'Abbaye to see his portrait, "Today I will see it!" he shouted, shaking with frustration. Stepping from behind the curtain, as though surprised by such anger, l'Abbaye said calmly. "Of course, you needed only to ask." With that he pulled aside the curtain.
Guiliano Bartoli stood for a minute in silence and then his mouth fell open, his eyes turned red, and he grabbed for what little hair he had left on his head. "How absurd, how ugly! You will not receive one florin, do you hear?" he said.
① ⒜, ⒝, ⒞ ② ⒜, ⒝, ⒟
③ ⒝, ⒞, ⒟ ④ ⒝, ⒞, ⒠
⑤ ⒞, ⒟, ⒠
6. [서술형] 다음 글의 밑줄 친 부분 중, 어법상 틀린 것 두 개를 골라 올바르게 고쳐 쓰시오. (4점, 각 2 점) [4단원]6)
Monsieur Signy l'Abbaye was a master artist in his day, when in 1392 was ready to retire.
Then, Guiliano Bartoli, a rich Italian client, sent for him, saying, "I'd like you to paint my portrait for a wall in my banquet hall. Could you paint it? The space is twenty feet tall." Contemplated this request, l'Abbaye shook his head. "No, I'm about to retire, so I'm not available. I'm sorry.
v [7~8] 다음 글을 읽고 물음에 답하시오. [4단원]
Another three, then four months passed and finally half a year went by. One day, Bartoli marched in, demanding of l'Abbaye to see his portrait, "You must be finished by now. Today I will see it!" (a)he shouted, shaking with frustration. Stepping from behind the curtain, as though surprised by such anger, l'Abbaye said calmly. "Of course, you needed only to ask." With that (b)he pulled aside the curtain. Bartoli stood for a minute in silence and then his mouth fell open, his eyes turned red, and (c)he grabbed for what little hair (d)he had left on his head. His eyebrows became distorted. He obviously did not like his portrait, not one bit. Then (e)he exploded.
7. 위 글의 밑줄 친 he가 가리키는 대상이 나머지 넷과 다른 하나는? (2.6점) 7)
①(a) ②(b) ③(c) ④(d) ⑤(e)
8. 위 글 바로 다음에 이어질 말로 가장 적절한 것은?（２.6점）8)
① “Anything you wish, but I insist upon paying you at least something for your work."
② "You do not have to pay me. Just provide me room and board and that will be fine."
③ If truth be told, for sure, He was not crazy. He had simply been born 500 years too early.
④ "How absurd, how ugly! What does this mean? You will not receive one florin, do you hear?
⑤ 'This is strange,' thought the client, but he thought how highly the artist had been recommended.
v [9~10] 다음 글을 읽고 물음에 답하시오. [4단원]
L'Abbaye entered the banquet hall. His eyes flashed, as he stared at the twenty-foot wall and thought of all that space. ((a)) Unknown to Bartoli, l'Abbaye had longed to paint in his own way.
((b)) But his way did not conform to the Byzantine or the Proto-Renaissance style of the day.
((c)) L'Abbaye had wanted to break free from the rules of painting. ((d)) Of course, he did not reveal this to Bartoli as they signed the contract. ((e)) Starting his work, the master artist threw a high curtain up in front of the wall, a curtain through which Bartoli could not see. Bartoli tried to peek, but l'Abbaye insisted on total for his artistic expression.
9. 글의 흐름으로 보아, 다음 문장이 들어가기에 가장 적절한 곳은? (2.6점)9)
The guild would never have allowed it, however, so he had always followed their rules, though he was never proud of it.
①(a) ②(b) ③(c) ④(d) ⑤(e)
10. 위 글의 빈칸에 들어가기에 가장 적절한 말은? (2.6점)10)
①freedom ②revelation ③privacy ④reward ⑤safety
11. [서술형] 다음 글을 읽고 내용의 흐름상 빈칸에 들어갈 적절한 어구를 본문에서 찾아 문장을 완성하시 오. (4점) [4단원]11)
A week passed. "How is it coming?" asked the hopeful Bartoli.
Answering him from behind the curtain, l'Abbaye said, "It's coming quite well. You know, at the age of eight I was apprenticed to the great Ambrogio Lorenzetti. He taught me how to draw and, most importantly, not to hurry. My training was strict and, after certification, even more thorough.
Senior Bartoli, a masterpiece ." Bartoli withdrew, reluctantly.
A month passed. "How is it coming?" Bartoli asked.
"It's coming along fine," said l'Abbaye, again from behind the curtain. Along with his words came the strange sounds of swooshing, clashing, and slapping. "You know, you're fortunate, it's I painting your portrait. Only true fresco will do. I am using four coats of plaster. It will last forever, but it is time- consuming." Sighing deeply, the client withdrew again.
12. 다음 글의 밑줄 친 부분 중 문맥상 낱말의 쓰임이 적절하지 않은 것을 고르시오.12)(교과서 4과) A week passed. “How is it coming?”asked the ①hopeful Bartoli. Answering him from behind the curtain, l’Abbaye said, “t’ coming quite well. You know, at the age of eight I was apprenticed to the great Ambrogio Lorenzetti. I could never dishonor his name. He taught me how to draw and, most importantly, not to ②delay. My training was strict and, after certification, even more ③ thorough. Senior Bartoli, a masterpiece takes time.” Bartoli withdrew, ④reluctantly. A month passed. “How is it coming?” Bartoli asked. “It’s coming along fine,”said l’bbaye, again from behind the curtain. Along with his words came the strange sounds of swooshing, clashing, and slapping.
“You know, you’e fortunate, it’ I painting your portrait. Only true fresco will do. I am using four coats of plaster. It will last forever, but it is ⑤time- consuming.”
13. 다음 글의 제목으로 가장 적절한 것을 고르시오.13)(교과서 4과)
What had L’Abbaye painted? It was his masterpiece. He was not sorry, no, not at all, that he had painted to his heart’s content on the twenty-foot wall. Perhaps his client could not understand his obsession for Cubist expression, but Picasso would have been proud. If truth be told, for sure, Monsieur Signy L’Abbaye was not crazy. He has simply been born 500 years too early.
① L’Abbaye’s Obsession
② An Artist’s Life and Death
③ Picasso as a Cubism Creator
④ L’Abbaye’s Originality Ahead of Times
⑤ How L’Abbaye’s Masterpiece Was Produced
v [14~15] 다음 글을 읽고 물음에 답하시오.(교과서 4과)
①Contemplating Bartoli’s request, l’Abbaye shook his head. “No, I’ about to retire, so I’ not
available. I’ sorry. I simply cannot paint your portrait.” Seeing the disappointment in Signore Bartoli’s eyes, he thought and then continued, “Ah, but there is one possibility, if you allow me to explore the limits of my abilities. You do not have to pay me. Just provide me room and board and that will be fine. Furthermore, you need not pose. I have an excellent memory. I have your other portrait and I can draw a new one based on it. But I insist, Senior Bartoli, while I work, ② your portrait stays private, even from you!” ‘This is strange,’thought the client, but he thought ③ how highly the artist had been recommended. “Of course,”he said. “Anything you wish, but I insist upon paying you at least something for your work. Let’ write a contract.” L’Abbaye entered the banquet hall. His eyes flashed, as he stared at the twenty-foot wall and thought of all that space.
④Unknown to Bartoli, l’Abbaye had longed to paint in his own way, which did not conform to the Byzantine or the Proto-Renaissance style of the day. L’Abbaye had wanted to break free from the rules of painting. The guild ⑤would never have allowed it, however, so he had always followed their rules, though he was never proud of it. Of course, he did not reveal this to Bartoli as they signed the contract.
14. 위 글의 밑줄 친 부분 중, 어법상 틀린 것은?14)
15. L’Abbaye에 관한 위 글의 내용과 일치하지 않는 것은?15)
① Hiding his intention, he accepted Bartoli’s request.
② He would not make Bartoli pose as a model for a portrait
③ He did not want to reveal the process of his work.
④ He had always wanted to follow the rules of the guild.
⑤ Despite his unusual request Bartoli agreed to it.
독해와 작문 4과 기출모음 (제1탄)
1) ⑤ had simply born -> had simply been born
2) ⑤ -> demanding of [demand는 5형식으로 쓰지 않고 3형식 동사이며 부정사를 목적어로 취하는 동 사. 따라서 부정사의 행위의 주체(의미상의 주어)를 나타내려면 demand of 주체 to do 형태가 되어야 한 다.]
3) ⑤ / ①②③④ Monsieur Signy l'Abbaye ⑤ Guiliano Bartoli 4) All you have to do is ask.
5) ②
6) when ⇒ who
contemplated ⇒ contemplating 7) ②
8) ④ 9) ④ 10) ③
11) takes time 12) ②
13) ④ 14) ② 15) ④
