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――. Churchill: Shorts. London: Nick Hern Books, 1990.

――. Cloud Nine. New York: Routledge, 1984.

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Michelene Wandor. London: Methuen, 1985. 1-54.

――. Plays: One. London: Methuen, 1985.

――. Plays: Two. London: Methuen, 1990.

――. The Skriker. New York: Theatre Communications Group, Inc., 1994.

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――. The Hélène Cixous Reader. ed. Susan Sellers. London: Routledge, 1994.

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――. “The Common Imagination and the Individual Voice.” New Theatre Quarterly 4.13 (February 1988): 3-16; interview with Churchill.

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Diamond, Elin. “(In) Visible Bodies in Churchill’s Theatre.” Theatre Journal 40.2 (May 1988): 188-204.

――. “Mimesis, Mimicry, and the ‘True-Real’.” Modern Drama 32.1 (March 1989): 58-72.

――. “Refusing the Romanticism of Identity: Narrative Interventions in Churchill, Benmussa, Duras.” Theater Journal 37 (Oct 1985): 273-86

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――. Presence & Desire: Essays on Gender, Sexuality, Performance. Ann Arbour: The University of Michigan Press, 1993.

――. The Female Spectator as Critic. Ann Arbor: The University of Michigan Press, 1988.

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Longman, 1991.

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――. “‘I Won’t Turn Back for You or Anyone’: Caryl Churchill’s Socialist-Feminist Theatre.” Essays in Theatre 6.1 (November 1987):

19-29.

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Theatre Journal 40 (1988): 217-35.

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Gussow, Mel. “Genteel Playwright, Angry Voice.” New York Times 22 November 1987, morning edition, sec. 2: 1, 26; interview with Churchill.

Hamilton, Joan Teresa. ‘Fen’ to ‘Hot Fudge’: A Study of Subjectivity and Agency in the Drama of Caryl Churchill. Lincoln: The University of Nebraska Press, 1991.

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Joanne, Klein. “Seeing Double: Theatrical Conceits in Cloud Nine.” Journal of Dramatic Theory and Criticism 1, 2(Spring 1987).

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――. Feminist Theatre. New York: Grove Press, 1985; update of above article on Churchill, 77-101.

――. “Hauntings: Gender and Drama in Contemporary English Theatre.”

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――. ed. Feminist Theatre and Theory. Houndmills, Basingstoke, Hampshire RG 21 6XS and London: Macmillan Press, 1996.

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Ross M. Guberman. New York: Columbia University Press, 1996.

95-102.

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Unpublished dissertation, University of Wisconsin-Madison, 1988.

――. The Plays of Caryl Churchill: Theatre of Empowerment. New York: St.

Martin Press, 1991.

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문서에서 Caryl Churchill의 페미니즘 연극 기법 (페이지 188-200)

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