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(1)

National Context of

Culture, City and Creativity in Korea

Se Hoon Park and Youn Hee Jeong

Dec. 1. 2021

(2)

Creative Korea … but creative cities?

• Korea has become a global cultural powerhouse, but can cities benefit?

(3)

• Changing emphasis of national cultural policy

“National Culture”(60-80s)  Cultural Welfare(90s)  Cultural Industry and Local Culture(2000s)

• Inter-connected but separate domains of promoting cultural industries and making cultural cities

CCIs policy for export promotion and industrial development

Cultural city policy for boosting local economy based on culture

National Cultural Policies in Korea

(4)

Cultural and Creative Industries

CCIs Cultural industries

are defined as

industries involved in the production,

circulation and use of cultural goods and services

Contents industries are defined as industries associated with the production, circulation and use of “contents”

(publishing, broadcasting, advertising, music, film, knowledge and

information, cartoons, animations, characters, games, and contents solutions )

No official definition for creative industry in Korea

(5)

Status of CCIs

• Dramatic increase in sales and export

publishing cartoons

music games

film animation

broadcasting advertising

characters knowledge and information

contents solutions

• Games occupy 65% in export and

publishing 27% in employment (2019)

Games 65% in export

(6)

Regional Disparity in CCIs

• Provincials cities have difficulties to harness CCIs for the concentration of CCIs on Seoul and surrounding areas

Seoul 64%

Gyeonggi 22%

Other regions

14%

Seoul 53%

Gyeonggi 20%

Other regions

27%

<CCIs in sales> <CCIs in employment>

(7)

Laws and Institutions for CCIs

• The Framework Act on the Promotion of

Cultural Industries in 1999

• The Content Industry Promotion Act in 2010

Ministry organizations Laws Agencies

• Cultural Industry Division in the Ministry of Culture, Sports and Tourism

(MCST) in 1994

• Cultural Content

Promotion Division in the MCST in 2002

• Content Policy Bureau in MCST in 2014, including supporting cultural

industries and Korean Wave

• Korea Creative Contents Agency (KCCA) in 2008 for implementing the government’s cultural industry policy

• The Contents Industry Promotion Committee (CIPC) in the Prime Minister’s Office in 2011 for decision making and policy coordination

• The Korea Foundation for

International Cultural Exchange (KOFICE) in 2013 to facilitate international cultural exchange

(8)

National Vision for CCIs

• Expanding financial aid for cultural industry promotion

• Supporting start-ups and training talents

• Promoting the export of goods and services in the global market

• Building an ecosystem for all participants in the market

• Enhancing competitiveness and building a cooperation system

• “Promoting Creative Economy by Content Industries and Realization of the Era of 30,000 USD Capita per GNI” (2014)

The 2nd Plan for Content Industry Promotion (2014)

(9)

Towards Cultural and Creative Cities

• Local Culture Promotion act (2014)

• Special Law for the Hub City for Asian Culture (2007)

• Special Law for Preservation and Promotion of Ancient Capital City (2004)

Ministry organizations Laws Agencies

• Local Culture Policy Bureau in the MCST

• Hub City of Asian Culture Division in the MCST

• Asia Culture Center (ACC)

• National Intangible Heritage Center (2013)

• Enhanced national government’s effort to redirect the benefit of cultural industry to local cities with a view to balanced national development

• Difficulties of promoting CCIs in local cities  emphasis on place making, tourism and infrastructure development

(10)

Promoting Local Culture

• Building sustainable base for local culture

• Promoting balanced development of local culture

• Creating local value based on culture

• Vision of Local Cultural Plan (2015) :

“Creating regions where citizen are happy with culture”

The first local culture promotion plan (2015)

• Background: (1) Increasing demand for national government’s support for local culture, distancing from the previous top- down cultural policy, (2) the rise of cultural economy, particularly tourism

(11)

Initiates for Making Cultural Cities

Title Regional

Cultural Hub City City of Culture Tourism Hub City UNESCO Creative City Network

Policy goals

Culture driven regional development based on local character

Balanced national development

Promoting local culture and supporting local community

Sustainable urban development based on culture and creativity

Fostering a world-class tourism hub

Balanced national development

Sustainable urban development based on culture and creativity

Cooperation among creative cities

Period From 2004, varies depending on cities

5 years for a designated city

5 years for a designated

city Infinite after designation

Designated cities

5 cities (Gwangju, Busan, Gyeongju, Jeonju, Gongju and Buyeo)

12 designated cities and 16 preliminary cities

Busan for an international tourism hub city

Mokpo, Jeonju,

Gangneung and Andong for regional tourism hub cities

10 Korean cities and 246 cities globally

Budget

Vary depending on cities (KRW 5 billion USD for Gwangju for instance)

KRW 20 million for each selected city for 5 years

KRW 15.9 million for all selected cities in 2020

No financial support from national and international agency, but cities allocate their own budget

(12)

National government is supporting …

• Establishing cultural facilities like Asia Culture Center in Gwangju and Cinema Center in Busan

• Enhancing cultural assets by preservation and promotion measures

• Infrastructure such as roads and parks for

improving accessibility and living environment

• Supporting artists and cultural players’ cultural activities like creation and exhibition

• Capacity building of cultural sector as a base for culture-base urban development

• Encouraging citizen's everyday cultural experiences and enjoyment

<Asia Culture Center>

12

(13)

Opportunities and Challenges for Cities

• Emphasis of cultural policy on the local culture and local autonomy

• Generous the national government’s support in making creative city

• Rise of tourism industry in domestically and internationally

Opportunities

Challenges

• State-driven creative city making

• Weak local cultural capacity and participation

• Market-oriented creative city policies relying on tourism and business promotion

(14)

Thank you!

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